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The cult of images in light of pictorial graffiti at Doué‐la‐Fontaine

Identifieur interne : 000386 ( Main/Exploration ); précédent : 000385; suivant : 000387

The cult of images in light of pictorial graffiti at Doué‐la‐Fontaine

Auteurs : Marcia Kupfer [États-Unis]

Source :

RBID : ISTEX:7705497C02F360B72E837FA0C5694423A4407FF4

English descriptors

Abstract

In the late 1960s the archeologist Michel de Boüard excavated a motte at Doué‐la‐Fontaine, near Saumur. Buried within the earthen mound was a stone edifice that, between the mid‐tenth and early eleventh centuries, had been transformed from a single‐storey aristocratic residence to a multi‐storey tower better suited to new military needs. De Boüard there discovered pictorial graffiti, incised in rough plaster across a wall in the blinded ground storey; among them were several unusually elaborate compositions. Building on his perspicacious analysis of the physical evidence, I situate the graffiti, dating from c.1000, in the wider matrix of contemporary visual and religious culture. The material enriches our understanding of a major historical phenomenon for which the millennial era is a watershed, namely the emergence and proliferation of cult images.

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DOI: 10.1111/j.1468-0254.2011.00315.x


Affiliations:


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Le document en format XML

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<div type="abstract" xml:lang="en">In the late 1960s the archeologist Michel de Boüard excavated a motte at Doué‐la‐Fontaine, near Saumur. Buried within the earthen mound was a stone edifice that, between the mid‐tenth and early eleventh centuries, had been transformed from a single‐storey aristocratic residence to a multi‐storey tower better suited to new military needs. De Boüard there discovered pictorial graffiti, incised in rough plaster across a wall in the blinded ground storey; among them were several unusually elaborate compositions. Building on his perspicacious analysis of the physical evidence, I situate the graffiti, dating from c.1000, in the wider matrix of contemporary visual and religious culture. The material enriches our understanding of a major historical phenomenon for which the millennial era is a watershed, namely the emergence and proliferation of cult images.</div>
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